In a stunning twist of fate, the world has awoken to the exhilarating news that Alphawhore, the legendary trio of Gordon Beeferman, Kevin Shea and Chris Cochrane, known for sculpting debauched cultural detritus into a captivating collision of familiar sonic signifiers and dissonant cacophony, is making an unprecedented return with the release of My Vegan Cabal. With rumors circulating for months, news of Alphawhore’s enigmatic return to the studio has ricocheted through the white noise of contemporary culture, sending shockwaves across generations while sparking a frenzy of anticipation reminiscent of Beatlemania. The three Alphawhores, now seasoned with the passage of time and draped in the shadowy allure of avant-garde jazz, kosmische breakouts and new complexity music, took to the studio. Fans young and old lie in anticipation as Alphawhore transcends the boundaries of time, creating what has become a symphony of contradictions, a post-postmodern crescendo where the ghosts of Dollywood meet the disquieting buzzsaw of a honeyed digital descent. The return of Alphawhore not only marks a nostalgic homage to Tony Williams Lifetime’s shock of pre-fusion fusion, but also to Lightning Bolt’s sheets of noise. These elements underscore this trio rewriting its own history, like three coquettish beasts forever reconciled in matter, gore, and oblivion.

“they have masterfully created a marvelous cacophony full of jagged edges and disquieting interludes. Good song titles, too.” Steve Peters, SPSoundArt.com

Gordon Beeferman’s ORGAN TRIO, with guitarist Anders Nilsson and drummer/percussionist Kate Gentile, riffs on the classic jazz organ trio through a 21^st-century lens. Each piece is an intricately structured mix of written and free-improvised aesthetics, turning on a dime between precise ensemble passages and freewheeling solos. SECOND BEING includes five very different pieces that take ballad, blues, big band, minimalism, and modernism to subversive and unexpected ends

GLOW offers eleven improvised pieces from a quartet of uniquely inventive virtuosos: Shelley Hirsch (voice), Michael Foster (saxophones), Gordon Beeferman (piano, electric piano, and Hammond organ), and the late Michael Evans (drums and percussion). A mind-meld of far-out jazz, noise, and spoken word, among other influences, and featuring improvised texts by Hirsch, the pieces range from intricate sonic landscapes to deadpan comedy. Hardly your average album of improvised music, the album could be described at times as “Anton Webern at the Café Carlyle.” Recorded in New York City in June 2021, this is the last studio recording Michael Evans made before his sudden and untimely death two months later.

“It’s music – and, why not, theatre – of top quality and class… Likely the most rewarding release of spontaneous compositions I heard in the first half of 2023. Compelling action, individual talent galore and unarguable intelligence are on display across the entire program. You have no excuses to miss this one.” – Massimo Ricci, Touching Extremes

Gordon Beeferman’s setting of Jane Barnes’s dark, sorrowful, mysterious, erotic, manic poems in search of the elusive “in-between” for voice and piano, with the extraordinary mezzo-soprano Laurie Rubin. Composed in 2009-10 and released in the fall of 2020.

ALPHAWHORE, the trio of Chris Cochrane (guitar), Kevin Shea (drums) and Gordon Beeferman (organ), performs fiery, sexy, often brutal, and always compelling improvised music, which they have collectively developed out of their experiences in avant-garde jazz, rock, noise, new-music, and other scenes. This is their first album, a 30-minute EP recorded in the summer of 2016, available exclusively on Bandcamp.

Gordon Beeferman, on his first full album playing Hammond organ, is joined by two remarkable collaborators, guitarist Anders Nilsson and drummer/percussionist Ches Smith. Beeferman’s set of compositions riff on the classic jazz organ trio through a 21^st-century lens. Completed at the Ucross Foundation in Wyoming in the fall of 2016, these intricate and extended pieces traverse unusual moods, forms, rhythms, and sound-worlds, opening up to feature each member of the trio, each unique virtuoso improvisers in their own right. The album is produced by guitarist Chris Cochrane (No Safety, THEM, Collapsible Shoulder).

“Beeferman splatters and smashes his way through a cosmic and complex set of psychedelic jazz and rock fusion-minded freak-outs, invoking Sun Ra and electric Miles.” –Brooklyn Rail

“Intricate interplay revealing impressive themes and variations.” –Jazzweekly.com

OTHER LIFE FORMS is an innovative avant-jazz quartet led by composer Gordon Beeferman (piano & organ), with Stephanie Griffin (viola), Pascal Niggenkemper (bass) and Andrew Drury (drums). Virtuosic, intense, and quirky, Beeferman’s compositions have a unique approach to integrating complex written charts with collective improvisation. The members of O.L.F. are among the forefront of the creative contemporary music scene, and bring a wide array of experience and sensibility to the music. This is their debut album, released November 2018 on Different Track Recordings.

“Beeferman’s musical world is a very special place that should not go unnoticed.” — Glenn Astarita, All About Jazz

“Idiosyncratic compositional strategy… thoughtful structure but with an unmistakable spirit of uncanny exploration… This is music that isn’t afraid to take its time; Beeferman prefers patient, devious statements to overt, brash ones… an imaginative set of music…more than enough to keep Beeferman on the radar when it comes to forward-thinking, creative approaches to jazz and improvised music.” — Troy Dostert, All About Jazz

“The ‘jazz’ root in Beeferman’s music is indisputable. But so are the modern classical, advanced improvisation, non-committable-to-memory atonal whatchamacallit roots. The scores may look complex on paper but, for some miracle, the acoustic outcome sounds as natural as spring water.” — Massimo Ricci, Touching Extremes

Four Parts Five is a quintet tour de force that takes virtuosic rhythmic ensemble playing to a new level. It’s a densely harmonious, frequently hair-raising, and deeply groovy piece of music: imagine György Ligeti, Philip Glass, Igor Stravinsky, Steve Coleman and Conlon Nancarrow having a dance party – with Morton Feldman and Count Basie watching wryly from the corner. Performed by an ensemble consisting of Beeferman (on piano and Hammond B3 organ), Peter Hess (woodwinds), Anders Nilsson (electric guitar), James Ilgenfritz (bass), and Adam Gold (drums), the album’s four pieces showcase tight, disciplined ensemble playing that spans the sparse, punctuated spaces of “1” and the spiraling, expansive curls of “4” with equal facility.

“Packed with humour, mischief, and an urge to dance.” –The Wire

Pianist/composer Gordon Beeferman turns the traditional piano trio inside out with these nine completely improvised pieces. “Out in Here” documents a subversive and elegant mind-meld with two exceptionally creative collaborators, bassist James Ilgenfritz and drummer/percussionist Michael Evans. This entirely acoustic record conjures up electronica, noise, free jazz, and new-complexity, in a sublimely creative fashion. Disquieting, occasionally absurdist, and beautiful, this is music for our surreal age of unpredictability and unrest.