“The Enchanted Organ” is a burlesque opera that celebrates sexuality and satirizes the porn industry, while parodying four hundred years of the operatic tradition. Composer/librettist team Gordon Beeferman and Charlotte Jackson bring wit and polymorphous perversity to this journey through “the Magical Kingdom of Porn,” a place where past and present, straight and queer, and dead and living converge. Drawing on influences as diverse as classic 70s porn soundtracks, baroque oratorio, Ancient Greek hymns, and the Nutcracker ballet, this work-in-progress is as close as you’ll get (or want to get!) to “aural sex.”
Duration: two hours, with one intermission. Instrumentation: alto sax/recorder/bass clarinet, violin, guitar/elec. guitar, bass/electric bass, organ/piano/harpsichord (2 players), drumset
Act I was premiered as a work-in-progress at Dixon Place, June 22-23, 2012, directed by Beth Greenberg.
“An Edifying Masque” from Act Two, performed at Operotica, New York City, January 2015
For more information, including videos and photos of our 2012 preview production of Act One, visit www.enchantedorgan.com.
piano and string quartet, 9 minutes. Performed by the Momenta Quartet with Gordon Beeferman, piano; premiered at Gretna Music, August 2012. Additional performances at New York University, March 2013; and at Roulette, New York City, October 2013.
In celebration of their 50th anniversary, the American Brass Quintet released this 2-CD set of music written for them since the year 2000. All eleven works epitomize the work of this legendary ensemble in promoting serious brass music for half a century.
The album includes Gordon Beeferman’s BRASS QUINTET (2007), commissioned by ABQ with funds from the Jerome Foundation.
Gordon Beeferman’s IMAGINARY BAND is a (real) 7-piece group that explores the territory where classical ‘new-music,’ jazz and free improvisation intersect. Beeferman’s compositions range from the gnarly to the operatic, and are both incredibly detailed and very free; the band’s improvisational explorations are tethered to highly structured frameworks.
“[A] commanding avant-jazz ensemble…” Time Out New York