GORDON BEEFERMAN, composer and pianist, has created a diverse body of adventurous work spanning opera, orchestral, chamber, and vocal music, improvisation, and collaborations with dance and other arts. His music has been commissioned and/or performed by the New York City Opera orchestra, Minnesota Orchestra, Albany Symphony, Quartet New Generation recorder collective, Momenta Quartet, American Brass Quintet, eighth blackbird, California EAR Unit, and others. The New York Times hailed “The Rat Land,” his chamber opera written with librettist Charlotte Jackson, as “complex and daringly modern…gritty, fidgety and intriguing.” Beeferman leads two groups which perform his compositions: Other Life Forms, a quartet, and Music for an Imaginary Band, a septet, described by Time Out New York as a “commanding avant-jazz ensemble.” He has received commissions from the Fromm Foundation, the BMI Foundation, and Concert Artists Guild, three BMI Student Composer Awards, a Tanglewood fellowship, and residencies at the MacDowell Colony, Yaddo and the Copland House. A “fully liberated pianist” (Cadence Magazine), Beeferman has performed extensively in New York as well as across the US and Canada; highlights include appearances at Roulette, ISSUE Project Room, the Vision Festival, MATA Festival, Hallwalls (Buffalo, NY), and the Music Gallery (Toronto), and with the Philip Glass Ensemble in Einstein on the Beach. Beeferman’s collaborations with choreographers have been produced in New York at the Joyce SoHo, Danspace Project at St. Mark’s Church, The Chocolate Factory, and Abrons Arts Center. His recordings are available on Generate, Genuin, and Summit Records. Current projects include The Enchanted Organ: A Porn Opera, a new collaboration with Charlotte Jackson.